description: a concept in sociology and philosophy that describes a reality generated by simulations
8 results
by Paul Kingsnorth · 23 Sep 2025 · 388pp · 110,920 words
define our times. Everything is fake now, and we all know it—but how else can we feed ourselves? * * * • • • The French sociologist Jean Baudrillard coined the term ‘hyperreality’ four decades ago to describe a world in which fake things would come to seem more real than reality itself. Baudrillard believed that this
by Alex von Tunzelmann · 7 Jul 2021 · 337pp · 87,236 words
statue, though, is characteristic of the story. The boundary between what is real and what is fake would soon disappear altogether. The French philosopher Jean Baudrillard defined ‘hyperreality’ – a state in which you cannot tell the difference between reality and a simulation, or ‘simulacrum’, of reality. In 1991, at the time of
by Nicholas Carr · 28 Jan 2025 · 231pp · 85,135 words
the things themselves. Everything is mediated. We become, whether we realize it or not, simulated beings experiencing simulated events in a simulated environment. Baudrillard coined the term hyperreality to describe existence in a world that has dissolved into information and communication. “Every reality is absorbed by the hyperreality of the code and
by Jarett Kobek · 10 Apr 2019 · 338pp · 74,302 words
when reality collapsed into fiction, at which point it would then be impossible to distinguish the fake from the actual. He called this the Hyperreal. But what neither Baudrillard nor his readers could ever locate was the exact moment when the Hyperreal would replace the real. It was a mystery, floating-point
by Steven Johnson · 15 Nov 2016 · 322pp · 88,197 words
out to have philosophical implications as well. A rich tradition of continental philosophy emerged in the 1970s—most famously Umberto Eco’s Travels in Hyperreality and Jean Baudrillard’s Simulacra and Simulation—decrying the illusory artifice of modern culture, all the theme restaurants and megamalls and old downtowns converted into spectacles of
by Matthew Ball · 18 Jul 2022 · 412pp · 116,685 words
a point of contrast, we can consider the French philosopher and cultural theorist Jean Baudrillard, who coined the term “hyperreality” in 1981 and whose works are often linked to those of Gibson, and those Gibson influenced.‡ Baudrillard described hyperreality as a state in which reality and simulations were so seamlessly integrated that they were
by Howard Rheingold · 24 Dec 2011
, privatizes everything public, and feeds it back to people as pay-as-you-go fables.38 An even more extreme position was taken by Jean Baudrillard, whose descriptions of the “hyperreal” portray a world in which everyone is so mesmerized that they have forgotten that their environment is no longer real.39
by Helen Pluckrose and James A. Lindsay · 14 Jul 2020 · 378pp · 107,957 words
postmodern period, he concluded, there is no original and all is simulacra, which are unsatisfactory imitations and images of the real. This state Baudrillard referred to as the hyperreal.8 This evinces the postmodernists’ tendency to seek the roots of meaning in language and to become overly concerned with the ways in