by Jacob Siegel · 24 Mar 2026 · 348pp · 103,246 words
of Typographic Man. The first chapter of Understanding Media contains what is probably McLuhan’s best-known idea and a metonym for his broader philosophy: “The medium is the message.” What he meant by that memorable phrase was that the technologies we use also shape us by changing the pace, scale, and rhythms of how
by Amy Lang and Daniel Lang/levitsky · 11 Jun 2012 · 537pp · 99,778 words
as it does in disobedient reclamations of the commons? For a month and a half, it has been an almost-sacred tenet of OWS that the medium is the message, that the reclamation of privatized public space not only for engaged citizenship, but also for free food, shelter, clothing, healthcare, libraries, education, wifi and more
by Ta-Nehisi Coates · 2 Oct 2024 · 143pp · 49,411 words
how efficiently—how “meekly”—they “receive, memorize, and repeat” that information. A teacher delivers the student information and the student succeeds by repeating it. But the medium is the message: What is being learned by students is not just the facts they memorize but the purpose of this knowledge: The more students work at storing
by Cal Newport · 5 Jan 2016
digital hipsters equate such nostalgia with Luddism and boredom, and believe that increased connection is the foundation for a utopian future. Marshall McLuhan declared that “the medium is the message,” but our current conversation on these topics seems to imply that “the medium is morality”—either you’re on board with the Facebook future or
by Ronald J. Deibert · 13 May 2013 · 317pp · 98,745 words
did not emphasize it, that thesis is part of a larger tradition of theorizing about communications technology associated most prominently with Canadian academics Marshall McLuhan (“the medium is the message”) and Harold Innis (“the bias of communications”). According to this tradition, communications technologies are rarely neutral and their material properties – the wires, cables, machines themselves
by Antony Loewenstein · 1 Sep 2015 · 464pp · 121,983 words
so fully privatized,” Klein argues, “that they are themselves the new market: there is no need to wait until after the war for the boom—the medium is the message.”15 These ideological changes are implemented by force, despite the routine opposition to them expressed by populations across the world—if they know about the
by Rick Perlstein · 1 Jan 2008 · 1,351pp · 404,177 words
,” as the blurb to his 1964 magnum opus, Understanding Media: The Extensions of Man, called him. A key hinge of that book’s argument that “the medium is the message” was his exegesis of the Kennedy-Nixon debates. He thought Nixon resembled the railway lawyer in westerns “who signs leases that are not in the
by John Seely Brown and Paul Duguid · 2 Feb 2000 · 791pp · 85,159 words
by journalists in the context of the medium and the audience. There's no need to go as far as Marshall McLuhan's claim that the "medium is the message" to see that the medium is not an indifferent carrier here. 17 The newspaper, then, is rather like the librarynot simply a collection of news
by Brian Dear · 14 Jun 2017 · 708pp · 223,211 words
square-wave musical tones. The kids, on the other hand, are used to finger-paints, water colors, color television, real musical instruments, and records. If the “medium is the message,” then the message of low-bandwidth timesharing is “blah.” PLATO meant time-sharing, and Kay was religious in his dislike of it. But the prototype
by Frankie Boyle · 12 Oct 2011
-rate EastEnders. Television is just a distraction, really, a jangling set of keys hoisted nightly in front of our stupid, drooling faces. Marshall McLuhan said, ‘The medium is the message,’ meaning that the way TV makes us think – the shorter attention span, the dullness to sensation – is more important than its content. Railways changed the
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